
Duplication & Conversions
Stuck In Post-Production?
So you shot on NTSC DVCPro, but your post house in London is working in PAL. Or maybe your newly finished program on HDCAM (1080i/59.94) was just picked up to air in Hong Kong. We all dream of a post-production future where the entire planet can agree on one standardized tape format, line rate and frame rate. But until that day, you’ve got us to accomplish the various types of conversions to meet your production needs.
We Can Get You Out of That Sticky Situation.
At Henninger, standards conversions (converting from NTSC to PAL and vice versa) are a daily task for our highly trained Duplication staff. Our Alchemist Ph.C HD provides a smooth, motion-compensated conversion for both standard and high definition material. Additionally, we keep the Ukon HD Converter in our arsenal to dub both HD line conversions (changing 720p to 1080i and vice versa) and aspect ratio changes (i.e., letterboxing an anamorphic image). We also utilize our HD decks for down conversions when dubbing from HD to SD.
Our tools also include both HD and SD Legalizers and an audio limiter. These are great assets to have when dubbing your finalized program to make sure it is within legal broadcast limits.
Learn more about our Conversion Tools.
We are staffed 24 hours a day, Monday through Friday, with weekend duplication scheduling available.
With our expansive list of resources, not only are we are able to guarantee the best quality conversions for an international market, but a fast turnaround time as well. As either your first or last stop in the post-production chain, Duplication at Henninger aims to keep you on, if not ahead, of schedule. In other words, your project becomes our project, no matter how small or large your job may be.

